1966
Max-Feed, 1966
"Max Neuhaus’s artwork Max-Feed (1966) was intended to be mass-produced and sold inexpensively in grocery stores. As an electronic device that creates feedback through a radio in its proximity, anyone could own the artwork and turn a room in their home into a sound installation. Neuhaus coined the term sound installation, and I share his belief that the omnipresence of sound, and its relation to public engagement, holds the potential for agency and democracy through participation." —Camille Norment, 2017