Working Drawings

1.* p 15
Sound Paths, Radio Net, 1978
Cibachrome print and paint, 68 x 101 cm

2.* p 17
Plan of antenna configurations, Drive In Music, Buffalo, 1981
Ink and colored pencil on paper, 56 x 75 cm

3.* p 19
Drawing #1, Ventilation chamber/subsonic loudspeaker, Museum of Modern Art, New York, 1982
Ink and colored pencil on paper, 56 x 90 cm

4.
Mixtures of Sound Layers in Elevator Shaft, Elevator Project, 1982
Colored ink on paper, 100 x 61 cm

5.
Projection of sculpture court with sound system, Time Piece, Archetype Realization, Whitney Museum of American Art, 1983
Ink and colored pencil on paper, 83 x 151 cm

6.* p 23
Projection of site with sound sources, Fan Music, 1984
Ink and colored pencil on paper, 115 x 95 cm

7.
Speaker installation, Time Piece – Geneva, 1984
Pencil on paper, 36 x 45 cm

8.
Sound Line, 1987
Study #1, Ink and colored pencil on paper, 30 x 42 cm
Study #2, Ink and colored pencil on paper, 30 x 42 cm
Study #3, Ink and colored pencil on paper, 30 x 42 cm
Study #4, Ink and colored pencil on paper, 30 x 42 cm

9.* p 29
Untitled, Sound Line, 1987
Ink and colored pencil on paper, 30 x 42 cm

10.* p 27
Magasin First Try, Sound Line, 1987
Ink and colored pencil on paper, 30 x 42 cm

11.* p 31
Sound Line, 1988
Ink and colored pencil on paper, 96 x 140 cm

12.
Dispersion of the 11 sound sources at frequency extremes, Sound Line, 1988
Pencil on paper, 57 x 47 cm

13.
First reflections of a source on gallery roof, Sound Line, 1988
Colored pencil on paper, 57 x 47 cm

14.
Passage Position as Time, Paris Metro Project, 1988
Ink and colored pencil on paper, 95 x 124 cm

15.
Re-coloring of Moving Sidewalk Machinery Sounds, Paris Metro Project, 1988
Ink and colored pencil on paper, 95 x 124 cm

16.
Sound Source Network – 200 Channels, Paris Metro Project, 1988
Ink and colored pencil on paper, 95 x 124 cm

17.
Sound area, Time Piece Proposal – Berlin, 1988
Colored pencil on paper, 68 x 70.5 cm

18.* p 33
Sound Source Location Trys, Two 'Identical' Rooms, 1989
Colored pencil on paper, 45 x 43 cm

19a.
Construction of space, panel 1 of 2, Two Sides of the 'Same'Room, 1990
Colored pencil on paper, 53 x 45 cm

19b.* p 35
Construction of space, Wall Mix, panel 2 of 2, Two Sides of the 'Same' Room, 1990
Colored pencil on paper, 33 x 45 cm

20.* p 37
Sound Reflections, Study 3, Infinite Lines From Elusive Sources #2, 1990
Colored pencil on paper, 50 x 45 cm

21.
Generation of endless clickline, Infinite Lines From Elusive Sources #2, 1990
Colored pencil on paper, 45 x 57 cm

22.* p 39
Study #1, Image area vs. source height, Haags Gemeentmuseum, 1990
Ink and colored pencil on paper, 42 x 85 cm

23.* p 41
Study #1, Sound reflections from a roof window source, 1991
Colored pencil on paper, 45 x 65 cm

24.* p 43
Study #2, Center court, ambiguous source, 1991
Colored pencil on paper, 45 x 65 cm

25.* p.45
Study #3, Overlapped source images, 1991
Colored pencil on paper, 45 x 65 cm

26.* p 47
Study #4, Wall image, center floor bounce, 1991
Colored pencil on paper, 45 x 65 cm

27.
Spaced sound bursts at an optimum distance irregardless of speed, Siren Project,
Drawing #1, 1991
Ink and colored pencil on paper, 91 x 110 cm

28.* p 51
Sound burst patterns, Pitch contour, amplitude and tone color over time, Siren Project, Drawing #2, 1991
Ink and colored pencil on paper, 91 x 110 cm

29.
Controlled tone color dispersion and the resulting aural images of the car, Siren Project, Drawing #3, 1991
Ink and colored pencil on paper, 91 x 110 cm

30.* p 49
Aural images of hidden cars, Siren Project, Drawing #4, 1991
Ink and colored pencil on paper, 91 x 110 cm

31.* p 53
Spatial interlock, Three to One, Drawing #4, 1992
Colored pencil on paper, 45 x 84 cm

32.
Harmonic interlock, Three to One, Drawing #5, 1992
Colored pencil on paper, 45 x 84 cm

33.
Entry, Three to One, 1991
Colored pencil on paper, 30 x 26 cm

34.
Path, Three to One, 1991
Colored pencil on paper, 36 x 26 cm

35.
First Source Search, Three to One, 1991
Colored pencil on paper, 75 x 38 cm

36.
Final Source Search, Three to One, 1991
1 of 4, Colored pencil on paper, 24 x 39 cm
2 of 4, Colored pencil on paper, 16 x 34 cm
3 of 4, Colored pencil on paper, 17 x 25 cm
4 of 4A, Colored pencil on paper, 16 x 33 cm
4 of 4B, Colored pencil on paper, 13 x 30 cm

37.
Sound Structure, Three to One, 1991
1 of 5, Colored pencil on paper, 37 x 48 cm
2 of 5, Colored pencil on paper, 19 x 23 cm
3 of 5, Colored pencil on paper, 24 x 30 cm
4 of 5, Colored pencil on paper, 38 x 35 cm
5 of 5, Colored pencil on paper, 38 x 34 cm

38.* p 55
Passage and mix of an outside sound, Three to One, Drawing #6, 1992
Colored pencil on paper, 45 x 84 cm

39.
Top down, Three to One, Drawing #7, 1992
Colored pencil on paper, 67 x 58 cm

40.
Source Search, CAPC Musée d'Art Moderne, Bordeaux, 1993
Study #1, Ink and colored pencil on paper, 28 x 24 cm
Study #2, Ink and colored pencil on paper, 28 x 24 cm
Study #3, Ink and colored pencil on paper, 28 x 62 cm

41.
Proposals for Aural Gardens, Sound spaces formed solely with plants and topography,
Notes on method I-V, 1988–2004
1 of 6, Cover sheet, Pencil on paper, 21 x 29 cm
2 of 6, Aural Gardens, Plants, Sound generation with the movement of air,
Pencil on paper, 21 x 29 cm
3 of 6, Aural Gardens, Plants, Sound generation with the movement of air,
Colored pencil on paper, 21 x 29 cm
4 of 6, Aural Gardens, Topography and Plants, Sound shaping with shading
and absorption, Colored pencil on paper, 21 x 29 cm
5 of 6, Aural Gardens, Topography, Sound shaping with resonance,
Pencil on paper, 21 x 29 cm
6 of 6, Aural Gardens, Topography, Sound relocation with curved surfaces,
Pencil on paper, 21 x 29 cm