Texts by others

Michael Tarantino, Two Passages, Oxford, December 1998

Alain Cueff, Missing beginning.

Malcolm Goldstein, 'Neuhaus Realizations', The Village Voice , June 1964

Theodore Strongin, 'Concert Is Given By Percussionist', New York Time, 3 June 1964

Eric Satlzman, First published as: 'Max Neuhaus' Electronics and Percussion', HiFi Stereo Review , November 1968

Al Brunelle, Deep Float: Neuhaus' 'Water Whisle', October 1974 (Art in America)

Tom Johnson, "Creating the Context: Max Neuhaus", The Village Voice , 6 December 1976,

Joan La Barbara,"Max Neuhaus: new sounds in natural settings", Musical America , Hightstown NJ, October 1977

Carter Ratcliff, "Space, Time and Silence: Max Neuhaus' Sound Installations,"

Jean-Christophe Ammann, "Notes on Max Neuhaus",

Germano Celant 1,2) Max Neuhaus, quoted by Carter Ratcliff, 'Aural Spaces', in Art in America, 1987

Denys Zacharopoulos, "Max Neuhaus", 1987

Calvin Tomkins, 'Onward and upward with the arts Hear', The New Yorker , 24 October 1988,

Franz Kaiser, "Creating a New Place in Space... ", Max Neuhaus: Sound Line

Alain Cueff, "Max Neuhaus: The Space of Sound", Artscribe International, September/October 1988

Wulf Herzogenrath, "Bell for St. Cäcilien", Max Neuhaus

Ulrich Loock, "Time Piece, Kunsthalle Bern" Max Neuhaus: Two Sound Works 1989 [German, English] (Bern: Kunsthalle Bern and Kölnischer Kunstverein, 1989)

Max Neuhaus and Ulrich Loock, "A Conversation Between Max Neuhaus and Ulrich Loock: Milan, March 25, 1990", Max Neuhaus: Elusive Sources and 'Like' Spaces [Italian, English] (Turin: Galleria Giorgio Persano, 1990)

Denys Zacharopoulos, "Space and Sound: Resonance of an Aural Work"

Arthur Danto, "Max Neuhaus: Sound Works", The Nation , 4 March 1991,

Susanne Weingarten, "Brummen vor dem Tor", Der Spiegel 37, 1992

Doris von Drathen, "Max Neuhaus: Invisible Sculpture - Molded Sound", Parkett #35/1993

Harald Szeemann, 'Max Neuhaus', 1993

Yehuda Safran, "Drawing by Ear", Max Neuhaus, Sound Works, Volume II, Drawings (Ostfildern-Stuttgart: Cantz, 1994)

Germano Celant, 'Max Neuhaus: An Occasion for Listening', 1994

John Rockwell, 'Environmental Composers & Ambient Music: Max Neuhaus' All American Music ( New York: Knopf, 1983

William Duckworth, interview edited from transcript , New York 1982, first published in Max Neuhaus, Sound Works, Volume I, Inscription (Ostfildern-Stuttgart: Cantz, 1994)

Haim Steinbach, Max Neuhaus, 27 ottobre 31 dicembre 1995 Max Neuhaus Published Segno e Progetto / Badriotto - Torino

Gregory des Jardins, "Evocare", first published as "Postface" in Max Neuhaus: Evocare l'udibile [Italian, French] (Milan: Charta, 1995)

Ida Gianelli "Visioni di Suono (Sound Visions)" Max Neuhaus: Evocare l'udibile [Italian, French] (Milan: Charta, 1995)

Pier Luigi Tazzi, "Constructed Sound: Max Neuhaus", Carte d'Arte Internazionale (Messina), November 1997

Pier Luigi Tazzi, "Max Neuhaus", The Collection: Max Neuhaus [Italian, English] (Milan: Charta,, 1997)

Edward Leffingweil, "Max Neuhaus at Christine Burgin and P.S.1", Art in America , April 2001

Jean-Max Colard, Comment passer de John Cage à la musique d’ascenseur ? Réponse avec la rétrospective de Max Neuhaus, pionnier de l’installation sonore.

Lynne Cooke, Location Listening

Ulrich Look, Dia Art Foundation, Max Neuhaus, Sound Works, 28Sept02

Neil Robert Wenman, Max Neuhaus, Listening to the Void, 2003

David Ryan, Max Neuhaus - Fontana Mix,

Dasha Dekleva, EAR SCOPE, 2004

Yehuda Safran, "Shaping Sound", Domus 876, December 2004

John Rockwell, ‘The New York School’, New York City, 2004

Christoph Cox, From Music to Sound: Being and Time in the Sonic Art, 2004

Enrico Pedrini, Max Neuhaus and the space-sound, 2004

Ulrich Loock, "Times Square, Max Neuhaus's Sound Work in New York City", Open: Cahier on Art in the Public Domain (Amsterdam: Nai Publishers) vol. 4, no. 9 (2005)

Hains Ulrich Obrist, interview with Max Neuhaus 22Aug2005

Christoph Cox, Sonambiente 2006, Akademie der Kunste, Berlin, 1 June–17 July 2006

Lynne Cooke, Essay on Max Neuhaus, Time Piece Beacon

Brandon LaBelle, first published as "Chapter 10, Turing Space: Max Neuhaus and Site-specific Sound", Background Noise, Perspectives on Sound Art (New York: Continuum, 2006)

Ulrich Loock, "The Time Piece for the Stommeln Synagogue", Max Neuhaus Time Piece Stommeln (Pulheim: Der Bürgermeister, 2007)

Hans Rudolf Reust, While Walking, 2007

"A Max Sampler: six sound oriented pieces for situations other than that of the concert hall: Listen, Public Supply, Bi-Product, American can, Drive-in Music, Telephone Access"

Megan Murph, Max Neuhaus’s Sound Works and the Politics of Noise, 2009

Christoph Cox, INSTALLING DURATION: Time in the Sound Works of Max Neuhaus, 2009

Walter Cianciusi, Conservatory Luigi Canepa Sassari, Italy, MAX NEUHAUS: PIONEER OF INVISIBLE AND (ALMOST) INAUDIBLE SOUND INSTALLATIONS

Daniele Balit, « For an Ecological Music – Max Neuhaus » Printemps/Eté 2015, CRITIQUE D'ART 44

Alex Potts, Moment and Place: Art in the arene of the everyday, 2015

Mayke Haringhuizen, Creating Places through Listening. The sociological possibilities of sound art in shared public spaces, 2016

Liz Kotz, "Max Neuhaus: Sound into Space", pp 92-111, 2016

Charles Eppley, Underwater Music: Max Neuhaus and the Electronic Circuit as Post-Musical Score, project 2018

Matthieu Saladin, The Inaudible as an Effect: Tactics of Sound Erasure in Max Neuhaus, 2020

Julia kent: max neuhaus, Essays, personal stories and curiosities from our guest femxle contributors, July 20, 2021

Elena Biserna, Site-specific Exhibition and Re-Exhibition Strategies: Max Neuhaus’s Times Square

Yehuda Safran, The Sound of Pine Needles Falling: The Art of Max Neuhaus

Matthieu Saladin Delineations of the Invisible: Notes on Max Neuhaus’ Drawing Practice